英国利物浦论文代写 基督教危机

2020-02-21 14:38

在基督教危机咨询中，这似乎违背了为个人服务的自然愿望，并从基督教的角度提供咨询。如前所述，这种方法可能导致不信任，对个人造成更多的伤害，然后帮助。基督徒以类似基督的方式回应个人，证明耶稣真正的教导。在《登山宝训》中，有一段话很好地说明了这一点，它清楚地表明，我们只是在做上帝的工作，我们是在用行动而不是语言来侍奉上帝。你是世上的光，如同山顶上不能隐藏的城。没有人点灯后把它放在篮子下面。相反，一盏灯被放在一个架子上，在那里它给房子里的每个人照明。你们的好行为也当这样发出光来，叫众人看见，好叫他们都称赞你们的天父。(马太福音5:14-16，新译)。以此为指导，使基督徒辅导员能够恭敬地向持有不同信仰的个人提供有意义的危机干预。受害者-救援-迫害三角也被称为卡普曼戏剧三角。卡普曼将戏剧三角描述为有三个角色，受害者、迫害者和救助者，并通过童话故事来展示角色是如何随着戏剧的发展而变化的，受害者成为救助者，迫害者成为受害者，等等。的更简洁和扩展描述戏剧三角形及其提供的角色Shmelev(2015)他州,“模型本身描述了三个习惯性心理角色,人们根据形势变化:“他继续这些角色定义为,“受害者的角色,表演者项目问题和痛苦到其他人的原因,事件和环境;-迫害者的角色，对受害者施加压力、强迫和迫害;-施救者的角色，在这种角色中，一个人出于表面上愿意提供帮助而进行干涉。
英国利物浦论文代写 基督教危机
In Christian crisis counseling this may seem to go against the natural desire to minister to the individual and provide counseling from the Christian perspective.   As stated previously, this approach may result in distrust and cause more harm to the individual then help.   Christians who respond to individuals in a Christ like manner demonstrate the true teachings of Jesus.  In the Sermon on the Mount, there is a passage that exemplifies this, it clearly shows that by simply doing God’s work we are ministering by our actions not our words. “14 You are the light of the world—like a city on a hilltop that cannot be hidden. 15 No one lights a lamp and then puts it under a basket. Instead, a lamp is placed on a stand, where it gives light to everyone in the house. 16 In the same way, let your good deeds shine out for all to see, so that everyone will praise your heavenly Father.” (Matthew 5:14-16, New Living Translation).  Using this as a guide provides the Christian counselor the ability to respectfully provide meaningful crisis interventions to individuals that hold different beliefs.The victim-rescuer-persecution triangle is also known as the Karpman drama triangle .  Karpman describes the drama triangle as having three roles, the victim, the persecutor, and the rescuer and uses fairy tales to demonstrate how the roles change as the drama plays out, the victim becomes the rescuer, persecutor becomes the victim and so on.   A more concise and expanded description of the drama triangle and its roles  is offered by Shmelev (2015) he states, “ The model itself describes three habitual psychological roles, which people change depending on the situation:”  He goes on to define these roles as, “ the role of the Victim, in which the performer projects the causes of problems and sufferings onto other people, events and circumstances; – the role of the Persecutor, in which one pressurizes, forces and persecutes the victim; – the role of the Rescuer, in which one interferes out of a seeming willingness to help.

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