哥伦比亚Essay代写:想象

2017-03-15 00:31

在1902版的文本批评和传记锚固的缺失使这本书本身不试图呈现诗人升高的感知，没有从当代问题–1975版包含的信息，“想象”的材料比前更连贯。同时，悼念在这个版本的介绍是研究片并将其放置在第十九世纪的时间。此外，其他锚固如丁尼生在开篇的雕刻，额外指出，润诗与传记和结构信息，根据哈特的说法，“应该有助于升值的基本统一的诗”[ 8 ]都提供解释诗歌的重要方式，同时改变如何在诗歌阅读的读者，并改变实际的观众，出版的主要目的是吸引。最普遍的这些共性是诗的形式、风格、结构的优点。这种方法的最终后果是，目前的评论家完全失去了他的认识，他自己的批评是历史上的限制和时间绑定在非常具体的方式。

哥伦比亚Essay代写:想象

It can therefore be suggested that the absence of textual criticism and biographical anchorage in the 1902 edition makes the book itself less an attempt to present an elevated perception of the poet, absent from the contemporary malaise – the 1975 edition contains information that “imagines” the material more coherently than the former. Also, the introduction in this version of In Memoriam serves to contextualise the piece and place it within the timeframe of the 19th century. In addition, other anchorage such as the engraving of Tennyson on the opening page, the additional notes that embellish the poem with biographical and structural information which, according to Hart, “should help in the appreciation of the essential unity of the poem”[8] all offer to interpret the poem in significant ways that alter both the ways in which a poem is read by the reader, and alter the actual audience that the publication is primarily designed to appeal to.The most universal of these universals are a poem’s formal, stylistic, or structural excellences. The ultimate consequence of such approaches is that the present critic loses altogether his awareness that his own criticism is historically limited and time-bound in very specific ways.

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